![]() ![]() Color Correction toolset (with Natural Match).SpectraMatte (high quality chroma keyer).Timewarps with motion estimation (FluidMotion).The Current version of Media Composer (MCSoft) has the following important features The DNxcel card also adds real-time SD down-convert and HD cross-convert. The DNxcel card uses Avid’s DNxHD compression which is available in 8-bit color formats at 145mb and 220mb as well as a 10-bit color format at 220mb. This interface also has an expansion slot for the DNxcel card which adds HD-SDI input and output as well as a DVI and HD component outputs. ![]() This interface only supports SD video formats.Īvid Adrenaline: rack mountable interface which includes Composite, S-Video, Component and SDI video, 4 channels of XLR, 4 channels of AES, 2 channels of S/PDIF and 8 channels of ADAT audio. There is an optional component video cable that can be added to this interface. Media Composer software does not work with third party I/O devices, with the exception of the original Matrox MXO.Īvid Mojo: includes Composite and S-Video with two channels of RCA audio. It also has RCA inputs and 1/4″ TRS outputs, plus LTC timecode I/O. Audio connections include XLR, AES, optical S/PDIF and ADAT inputs and outputs. Video connections include SDI, HD-SDI, Composite, S-Video and Component (SD or HD) inputs and outputs, it also has a HDMI output. This interface also has a hardware DNxHD codec. This interface has SDI/HD-SDI inputs and outputs, HDMI outputs and stereo 1/4″ TRS audio inputs and outputs.Īvid Nitris DX: a replacement of the Adrenaline hardware, a successor to the original Avid Nitris (used with Avid DS and Avid Symphony), with architecture offering faster processing and full 1920×1080 HD resolution (without extra cards) in addition to standard definition video. ![]() This interface only supports SD video formats.Īvid Mojo DX: a newer version of the Mojo with architecture offering faster processing and full 1920×1080 HD resolution in addition to standard definition video. There is one version of Media Composer, which can be used as standalone software, or to which you can add specific external Avid input/output interfaces.Īvid Mojo SDI: includes Composite, S-Video, Component and SDI video, with 4 channels RCA, 4 channels AES and 2 channels optical S/PDIF audio. In July 2009 American Cinema Editors (ACE) announced that the ACE Board of Directors had recognized Avid Media Composer software with the Board’s first-ever “ ACE Technical Excellence Award” – recognizing it as the preferred choice of the industry’s most acclaimed editors. Film Composer is no longer sold as a separate product, since – over time – all of its specific film editing features were implemented into the “regular” Media Composer and/or the Avid Symphony. Avid received an Oscar statuette representing the 1998 Scientific and Technical Award for the concept, design, and engineering of the Avid Film Composer system for motion picture editing. Catering to the high end of the non-linear editing market, Avid is still used in a lot of major film productions, though it’s facing increasing competition from Apple’s Final Cut Studio. The Avid Newscutter, aimed at newsrooms, Avid Symphony, aimed at finishing, are all Avid products that were derived from Media Composer and share similar interfacing, as was Avid Xpress Pro, (discontinued in 2008), which was aimed at the lower end of the market. Since the early 1990s, Media Composer has been the dominant non-linear editing system in the film and television industry on first Mac and then also on Windows. Since that time, the application features have increased to allow for film editing, uncompressed standard definition (SD) video and high definition (HD) editing and finishing. It was released in 1989 on the Macintosh II as an offline editing system. It is the flagship product of Avid Technology. Media Composer, frequently referred to as “The Avid”, is a non-linear editing system. ![]()
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